Sunday June 17th, 2007 – $12

A former staff writer for PolyGram Publishing in Nashville, Pettis’ musical career was started in 1979 when Joan Baez covered one of his songs, “Song at the End of the Movie”, on her album Honest Lullaby. Following that release, Pettis became heavily involved in the “Fast Folk movement” in New York in the 1980s alongside artists such as Shawn Colvin and Suzanne Vega.
In 1984, Pettis released his first independent solo album, Moments, followed by a string of releases for High Street Records; While the Serpent Lies Sleeping, Tinseltown and Chase the Buffalo. None of these releases have made Pettis a household name, but his music has become extremely popular with other artists. His songs have been covered by artists like Dar Williams (“Family” on Mortal City), Garth Brooks (“You Move Me” on Sevens), Dion & the Belmonts, Sara Groves, Randy Stonehill and others.

In the early 1990s, Pettis developed a working relationship with songwriter and producer Mark Heard. Pettis was performing with Heard at the Cornerstone Festival in July of 1992, when Heard had a heart attack on stage. Heard finished the show, but died the following August. That event began a tradition for Pettis, who has started off each of his albums with one of Heard’s songs since 1993′s Chase the Buffalo, where he recorded Heard’s “Nod Over Coffee”. Other Heard covers include “Satellite Sky” (1996′s Making Light of It), “Tip of My Tongue” (1998′s Everything Matters), “Rise from the Ruins” (2001′s State of Grace) and “Another Day in Limbo” (2004′s Great Big World.) Pettis also appeared on a 1994 tribute to Heard entitled Strong Hand of Love.

In 1996, Pettis signed on with Compass Records and released Making Light of It, produced by David Miner (T-Bone Burnett, Elvis Costello), and featuring Derri Daugherty and Steve Hindalong of The Choir.

Two years later Everything Matters was released, produced by Grammy award winning Gordon Kennedy (who is best known for co-writing Eric Clapton’s “Change the World.”) Pettis followed that release with State of Grace in 2001, which featured cover art by the late southern folk artist Howard Finster.

Friday April 13th, 2007 – $15

Anointed “the new Dylan” upon his recording debut, folk-rock singer/songwriter Steve Forbert was born in Meridian, MS, in 1955. After learning guitar at age 11, he spent his high school years playing in a variety of local bands before quitting his job as a truck driver and moving to New York City at the age of 21. There, he performed for spare change in Grand Central Station before working his way up to the Manhattan club circuit.

After signing to Nemperor, Forbert debuted in 1978 with Alive on Arrival, which earned critical acclaim for its taut, poetic lyrics. The follow-up, 1979′s Jackrabbit Slim, was his most successful outing, reaching the Top 20 on the strength of the hit single “Romeo’s Tune” (allegedly inspired by the late Supreme Florence Ballard). However, both 1980′s Little Stevie Orbit and a self-titled 1982 effort fared poorly, and Forbert was dropped by his label. He spent much of the decade in Nashville, where he continued honing his songwriting skills and performed regularly throughout the South. In 1988, he signed to Geffen, where the E Street Band’s Garry Tallent produced his comeback album, Streets of This Town. Pete Anderson took over the production reins for 1992′s The American in Me, but Forbert’s continued lack of chart success prompted the label to cut him loose. A deal with the Warner Bros.-affiliated Giant label resulted in two more studio albums, 1995′s Mission of the Crossroad Palms and 1996′s Rocking Horse Head, but in 1998 Forbert moved into independent territory for his next album, the rollicking live set Here’s Your Pizza. Forbert signed with Koch Records for his next studio disc, 2000′s Evergreen Boy, where he also released Any Old Time (a tribute to country music legend Jimmie Rodgers) in 2002 and Just Like There’s Nothin’ To It (a collection of new songs) in 2004. During this period, Forbert also released two compilations of rare and unreleased material, Young, Guitar Days and More Young, Guitar Days, as well as several live recordings. ~ Jason Ankeny, All Music Guide